Christ & Gantenbein
Christ & Gantenbein
Spitalstrasse 12
4056 Basel
Switzerland
T + 41 61 260 90 20
mail [at] christgantenbein [dot] com
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Emanuel Christ
Christoph Gantenbein
Partner
Mona Farag
Associates
Tabea Lachenmann
Anna Flückiger
Victoria Easton
Daniel Monheim
Jean Wagner
Business & Project Support
Carsten Happel
Architects
Andrea Benincasa
Anton Boman
Javier Bressel
Charles Bugny
Ute Burdelski
Arthur Clauss
Ana Sofia Costa Guerra
Thibaut Dancoisne
Eileen Davis
Szabolcs Egyed
Ellena Ehrl
Moisés García
Cloé Gattigo
Teresa Gonçalves
Guido Kappius
Lukas Kerner
Astrid Kühn
Lucia Macrì
Marta Malinverni
Raphael Mertin
Aurelia Müggler
Stephanie Müller-Wamister
Edward Nicholson
Giorgio Notari
Juan Pardellas
Sever Petroy
Catia Polido
Robin Quaas
Matthias Schäfges
Anette Schick
Robert Schiemann
Anne Katharina Schulze
Dimitri Stassin
Jan-Holger Stucken
Leandro Villalba
Marcel Weimar
Leonie Welling
Christina Wendler
Jan Zachmann
PR & Communication
Claudia Di Lecce
Administration
Valdrina Canaj
Anita Grieder
Fabienne Koitka
Yaël Widmer


©Copyright 2018 by Christ & Gantenbein - all rights reserved.
Concept + Design : Ludovic Balland Cabinet, Basel
Web Development : 47Nord Media, Stuttgart
Over the past years, a broad range of private and public commissions has given shape to Christ & Gantenbein‘s growing body of work, encompassing different scales and scopes from individual residential extensions, institutional buildings, infrastructures and urban masterplans.
Award-winning projects such as the extension of the Kunstmuseum Basel and the Swiss National Museum in Zurich (both 2016), as well as the Wallraf-Richartz Museum in Cologne (ongoing) have strengthened the office’s expertise in the design of spaces for art. Social housing complexes in France (in progress) and luxury apartments in Germany (2018), a mixed-use tower in Pratteln (2016), a flexible office building for Roche Pharma in Grenzach (in progress), as well as the Lindt Chocolate Competence Center near Zurich (in progress), testimony of the flexibility of their approach and the ease in handling a variety of programs. 
 
Founders Emanuel Christ and Christoph Gantenbein, Partner Mona Farag, Associates Tabea Lachenmann, Anna Flückiger, Victoria Easton, Daniel Monheim and Jean Wagner, together with about 40 architects staff the practice established in 1998.
 
Since graduating from the ETH Zurich (Swiss Federal Institute of Technology) in 1998, Emanuel Christ and Christoph Gantenbein have maintained a balance between their professional activity and their academic involvement. They held lectureships inter alia at the ETH Studio Basel (2000–2005), the HGK Basel (2002–2003), the Accademia di Architettura in Mendrisio (2004, 2006, 2009), the Oslo School of Architecture and Design (2008), a well as the ETH Zurich (2010–2015). Research conducted in this latter period culminated in the meticulous exposition of more than 400 buildings in the two monographs Typology (Park Books, 2012, 2015). After teaching at Harvard GSD from 2015 to 2017, they are now Full-Professors of Architecture and Design at the ETH Zurich.
 
In 2018 Christ & Gantenbein won the Deezen „Architect of the Year“ Award. Kunstmuseum Basel has been listed in the 2018 RIBA International Prize Shortlist and has been awarded, between many other prizes, the 2018 Wieneberger Brick Award. Further distinctions include the prestigious Design Miami/Panerai Visionary Award won by the firm in 2017, the best architect 18 – Gold Prize (2017), best architects 17 Award, the Essence Award – Gold Prize as well as the Red Dot Award “Best of the Best” prize all won in 2016, the Swiss Steel Construction Award – Prix Acier (2014), the AR Award for Emerging Architecture (2009) and two nominations for the Iakov Chernikhov International Prize (2010, 2012).
 
In 2017 the studio has been invited to contribute to the Chicago Architecture Biennale, the previous year it participated in the 15th Venice Biennale “Reporting from the Front” as well as the 4th Lisbon Architecture Triennial, “The Form of Form”. The work of Christ & Gantenbein is featured in the monographs a+u 535 (2015), 2G N°68 (2014).